These are some of the houses we had to paint for "Albert Herring" They were the most upstage piece of scenery and the designer was insistent on them being film quality with ridiculous amounts of detail, water marks, doorbells, milk bottles on the doorsteps and everything. I love them though, they were so much fun to do!
Thursday, December 9, 2010
Realistic Miniature Houses? Yup, I can do that too!
Posted by loryn.ariana at Thursday, December 09, 2010 0 comments
Can I faux finish art deco furniture? Sure can!
Apprentice Scenes at The Santa Fe Opera, I can't remember right now what scene this was from, but it was set in the Art Deco Period. My friend Adam McCarthy designed the piece, and I faux painted the wood to look stained, and did those little vignette panels which were based off of these really sweet old Chinese ink landscape paintings. The panels were gold leafed onto Masonite, painted on with some layers of burnt umber glaze, and then covered with a couple layers of Amber Shellac to get a shiny beautiful surface. We lined the back of it with some light weight bleached muslin so it could be back lit.
Here's the finished product:
Left Panel Close Up:
Middle Panel Close Up:
Right Panel Close Up:
Posted by loryn.ariana at Thursday, December 09, 2010 0 comments
Sunday, June 13, 2010
Santa Fe Opera-Madame Butterfly, Faux Finishes
This was just a simple little left over resin casting that we had laying around in the shop. The designer wanted us to turn a wooden Buddah into a bronze one. I grabbed this little guy to do a little sampling so I could get the greenlight from the designer before I started in on the real thing.
So this is what my little Buddah looked like in the beginning. It was carved wood (not sure what kind of wood, though...) It had a sealer on it, so I had to sand him down and shellac him so the paint wouldn't keep peeling off of him. A lesson that took me about an hour to learn...
I can't remember if I based him in red or white, but I'm going to say because we were concerned with his reflectiveness I based him in white, and then straight up Rosco gold-ed him.
Couple of burnt umber glazes to make him pop a little and give him some dimension.
Some more layers and a really wicked layer of patina on him, aced up with some silver rub-n-buff, and he turned out to be oh so pretty!
Posted by loryn.ariana at Sunday, June 13, 2010 0 comments
Sunday, May 16, 2010
Clouds on the way to Santa Fe
On my flight to Santa Fe last night, we were flying during the sunset.
I thought the clouds were doing some pretty swanky and beautiful things...thought I'd share a few pics that I took.
Enjoy!
Posted by loryn.ariana at Sunday, May 16, 2010 0 comments
My final bit on Jebus
After the 3 performances that Jebus debuted in, the guys in the Scene Shop felt it necessary to keep him and hang him in the scene shop, overlooking everyone, in all his elongated, larger-then-life self.
I give you the final resting place of the Juilliard Jebus:
Wait..what's that? What else has been added to Jebus, do you ask? Let me show you!
Yes, yes, that is a tool belt, some dodgy ray-bans, and a cigarette in his mouth.
This Jebus knows how to have a good time apparently.
Awesome!
Posted by loryn.ariana at Sunday, May 16, 2010 0 comments
Sunday, May 2, 2010
Hey Jebus!
I just wrapped up charging the Spring Opera at Juilliard. It was called "Dialogue of the Carmelites". The designer had these awesome ideas from the beginning of his design, and one of them was this 8' tall sculpture of Jesus. As soon as I found this out, I called dibbs on it and wanted to get my hands on this project because I knew it would be an awesome thing to work on. I've done a little bit of foam carving sculpture work before, but nothing of this size, so I welcomed the challenge.
The image that the designer gave me was El Grecco's "Christ on the Cross with Two Donors"
The designer referred to this Jesus (who I call Jebus for the duration of me working on this) multiple times as hott, and saucy.
......................ok?
I just love his obnoxiously elongated torso, personally.
We glued together sheets of 1" blue insulation foam, and transferred the pounce to the foam. One of the carpenters made this A-W-E-S-O-M-E hot knife made with a piano wire and a car battery and that thing carved through the foam like butter.
It was amazing!
Behold, said awesome jolly-rigged hot knife =] <3
Someone snapped a picture with my camera of me carving away on Jebus. I'm pretty glad they did it actually.
Footless, Handless, Faceless Jebus is my favorite kind. I think he kinda looks like a larger-then-life size of Rocky with a Scuba Helmet on.
Of all the things I carved with this guy, the bellybutton was my favorite part. When I was carving him the foam layers started looking really cool, kinda like rings on a tree. I thoroughly enjoyed it.
First time subtractive sculpture on a face was something I was not ready to battle with my time frame, so I opted for some additive sculpture with some paper clay. It was coming along well, but I needed a place to put my tools while I was sitting on top of Jebus's chest, so I figured since I was already boarder line getting struck by lightening, I figured I'd put my tools in his head.
.....hey! why not?!
This is what he looked like on stage. He was pretty snazzy, and looked well on the cross that we also did for this show. Oh yeah, and I had to crucify him myself with a large drill bit and some liquid nails. It was A-W-E-S-O-M-E. And by awesome, I mean I am completely and entirely surprised that I did not get struck by lightening at all during this process.
And here is a full stage shot to show some scale.
50 hours of work, and it was onstage for about 15 minutes for each of the 3 performances.
Love, love, love theatre!
Posted by loryn.ariana at Sunday, May 02, 2010 0 comments
Sunday, March 7, 2010
Finished Tromp L'Oeil
I finished my Tromp L'Oeil in the beginning of last week. It turned out pretty well, and I'm happy with the way it's turned out. Didn't take that long to do. It's a pretty tiny painting, only 2' x 2', so it's an exact painted replica of the two sculptures I just finished awhile ago. Anyways, here's the finished painting!
Here's a detail shot.
Enjoy!
Posted by loryn.ariana at Sunday, March 07, 2010 0 comments
Saturday, February 20, 2010
Mmmmmm trompe l'oeil
So the only time I've actually ever done anything trompe l'oeil related, I was a sophomore in high school.
After studying it on and off for 4 years at SCAD, and seeing my fair share of it, I figure it only necessary that I finally visit it properly, and do some for myself.
Not to mention I think it's a vital skill to have as a scenic artist.
And well, I want that skill.
So, here is the latest portfolio project I'm working on...
I've only worked on it for a couple of hours, so it isn't much to show so far. I'm currently working on adding Shade and Shadow. I used the pounce from my sculpture projects, and just mirrored it over. It's only 2' x 2' so it's pretty tiny, and I'm having to work on it with smaller brushes. Not to mention is pretty much impossible to work on it on a stick, so I'm having a lot of bonding time with sitting on the ground.
It's great.
P.S. sorry about the shadow!
Posted by loryn.ariana at Saturday, February 20, 2010 0 comments
Who Knew!!!
Here's some portfolio pieces I've been working on for the past month or so at Juilliard:
I have this tendency to terribly over photo document my projects with process shots, so I am bearing everyone from seeing a gazillion pictures, and just showing a few.
So I found this beautiful drawing of a piece of Gothic architecture. It is listed as a 'Wooden Boss'
I scaled it up to 1' x 2', and gridded it out in 3" squares. Then I Sharpied it in, and used it as a pounce that I've probably used about 20 times so far.
Posted by loryn.ariana at Saturday, February 20, 2010 1 comments
Busy bee with art!
I've been trying to keep my artistic brain juices going by trying to work on various artsy things. Been really into vintage-esque things, and really muted color pallets. Also line weight. I'm really digging variety in line weight. I'm exploring these more and more, and I'm really excited about it. But alas, here is some things I've been working on.
Detail of the bag, and I put one of her favorite phrases on it. I did all the embroidery by hand. I really dig that kind of stuff---if I could make a living off of doing that stuff, I'd think about it.
Posted by loryn.ariana at Saturday, February 20, 2010 0 comments